Showing posts with label people in your neighborhood. Show all posts

The People In Your Neighbourhood: Elizabeth Egan

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Elizabeth Egan does things I could only dream about. Actually, even in my dreams I’m conscious of the reality of my abilities and don’t have those kinds of wild aspirations. Elizabeth does; although for her they’re not aspirations, they’re tangible goals that she sets herself and achieves. Elizabeth is a scientist, but first and foremost Elizabeth is a runner.

High-performance sport has long been a passion for Elizabeth. Influenced by her coach from a young age, she became increasingly interested in what was behind the athlete and their abilities – what made them able to do what they could and how particular types of training could make them better at it. ‘I’ve always wanted to be a better athlete’, she tells me, ‘I love working with people and I want to make the most of their talent’.

So far does Elizabeth’s passion for helping athletes extend that she completed a PhD in sports science – looking into the biological impacts of athletic activity. Towards the end of her studies she also managed to find the time to represent Ireland at the World University Cross Country Championships. Most recently she has edited the culmination of four years’ research into a book Notes from higher grounds: an altitude training guide for athletes, which provides information and advice on some of the world’s best altitude training locations. Oh, did I mention Elizabeth also likes to travel.

People In Your Neighbourhood: Elizabeth Egan: Altitude Training
Notes from higher grounds...by Dr Elizabeth Egan
It was a break following completion of her PhD that got her started. ‘I wanted to go to Africa, and in 2004 I decided to go to Kenya to train there for a while. I soon realised that running was a great way to see the world,’ she says of her ability to combine her two passions – running and travel. ‘In 2006 I decided to travel to more places and write a book about it.’ While I wonder if that’s clouding the pleasure of travel with work, Elizabeth assures me it’s not. ‘It makes such a difference to be doing something that I’m really passionate about; it doesn’t really feel like work most of the time’.

Being a lay-person, my extensive knowledge of altitude training amounts to it being something I hear mentioned during the sports segment of the news, as something footballers might do during the off-season. Elizabeth enlightens me, in as simple a way as possible, about how ‘above 1,600 metres air pressure the body detects the lower oxygen levels in the blood and increases production of a hormone that increases the synthesis of red blood cells that carry oxygen around the body.’ Right; got it so far. The increase in red blood cell mass, which she tells me is very important to endurance performance, is particularly beneficial to endurance athletes.

But apparently it makes you slower. ‘There are some limitations,’ says Elizabeth, ‘it’s simply harder [to run at the same pace you might at sea-level], due to lack of oxygen, so you have to strike a balance between quality speed work at sea-level and oxygen-boosting training at altitude’.

People In Your Neighbourhood: Elizabeth Egan: Altitude Training
Training in Kenya - photo credit Elizabeth Egan
Like I said, I only know about altitude training because it’s where some clubs send their teams, however the reason Elizabeth wrote her book is to make this type of training accessible to anyone, not just professionals with the right contacts at the venues. ‘I wanted to show that anyone could train there, and benefit from it.’ As Elizabeth notes, for the professionals this type of training is ‘icing on the cake, it’s the extra little thing that may make the difference between being a world championship finalist and a medal winner.’

And for someone who’s serious about their running, but not quite that serious? ‘Training in a different place is good for motivation; training in places like Kenya and Ethiopia can be very inspiring, and training at altitude for sub-elite athletes can help prepare them for when they reach a high level.’ Even if you’re not aiming for a higher level of ability, Elizabeth says there are benefits for athletes at all levels from having extra red blood cells.

Although interested in athletics, running and training techniques for a long time, it wasn’t until that 2004 trip to Kenya that Elizabeth first experienced the benefits of altitude for herself. ‘I probably trained too hard’, she says, ‘so it wasn’t the most successful trip I’ve been on’. Apparently this is a common problem for many altitude first timers. ‘I always advise people going to altitude to have their iron [needed to make red blood cells] levels checked about six weeks before they go, and to take it easy for the first two weeks.’ The benefits of altitude also extend to just being at height, so there’s no need to push it too hard to start with.

Notes from higher grounds… includes tips and advice for travelling to the 15 different training venues Elizabeth has experienced firsthand. According to Elizabeth it’s ‘basically a travel guide…including how to get there, some places for athletes to stay, the sorts of facilities they should expect, what the trains are like, and what activities there are to fill the hours between training’. And it fills a gap in the market. ‘When I was planning to go to Kenya for the first time, I found it very difficult to get [the] information [I needed].’ It was a number of years before she decided to take the prospect of collating the information she herself couldn’t find seriously, however the decision to write the book was in itself a fast one, made in just 48 hours.

People In Your Neighbourhood: Elizabeth Egan: Altitude Training
Training in Kenya - photo credit Elizabeth Egan
The culmination of four years’ research, that comparatively spur of the moment decision can’t have been easy to fulfil. ‘The biggest challenge was running out of money a couple of times. I had to take a job in 2011 to raise funds to finish the travels, but I promised myself that I wouldn’t let the hard work I’d done up to that point go to waste.’

‘When I set out on this project I had no idea what I was doing. I had no experience writing a book, or the publishing industry, but I knew I wanted to write one, and had an idea of what I wanted to look like, so that went a long way.’ And it did, to 15 sites no less. ‘I now respect how much effort and time goes into researching and writing a book. Because I did everything myself, I learned so much about writing, editing, and designing a book. I can’t wait to start writing my second one – it should be much easier.’

A long time coming Elizabeth says ‘the best bit was holding the first copy of the book, hot off the printing press, in my hands. It blew me away!’ Extra special, given she not only undertook the travel and research for the book herself, she also started her own publishing company, Kukimbia Huru Publishing, to get it out to market. The only thing she didn’t do herself was name the company, ‘it was a friend that suggested I use the Swahili for run free – linking my passion for Africa and Kenya in particular, with my carefree approach to life. For me, it’s the perfect name.’

People In Your Neighbourhood: Elizabeth Egan: Altitude Training
Ethiopia - photo credit Elizabeth Egan
Of all the places she’s travelled, it’s clear that Africa is a favourite, but it was Mexico that had the biggest impact on Elizabeth during her research, probably more so due to her state of mind at the time. ‘That was the first country I visited for the book and I was really unprepared’, she explains, ‘I finished my job, changed address and got on a plane, all in the space of a few hours. I didn’t speak Spanish and just about everything that could go wrong did!’ This, unfortunately, included her bank putting a stop on her card. ‘All I could do was get on with it and make the best of things. My attitude changed and that definitely helped with the rest of my travels…things could go wrong, but that was part of the excitement of travelling.’ Elizabeth acknowledges that she quickly had to become content with her own company but that doing so in Mexico City, which she says is ‘completely mad’, helped her to come to terms with that.

And of Kenya, the location that sparked it all? ‘Kenya will always be one of my favourites; I’ve been six times already; that speaks for itself.’ Elizabeth notes that part of her mission in her travels has been to find somewhere that comes close to Kenya for her, and says she’s found two, ‘Flagstaff in Arzona and St Moritz in Switzerland – and I will definitely go back to those two.’ Not just yet though, ‘first I’m planning to go back to Ethiopia. A new camp has opened on the outskirts of Addis Ababa (Yaya Village), which I hear very good things about. That and I know I didn’t see all that beautiful country has to offer when I visited the first time.’

People In Your Neighbourhood: Elizabeth Egan: Altitude Training
St Moritz, Switzerland - photo credit Elizabeth Egan
Notes from higher grounds: an altitude training guide for endurance athletes by Dr Elizabeth Egan is available through Amazon. In future Elizabeth hopes to be running training camps through Altitude Training Camps, as well as continuing to provide health, lifestyle and training advice through Athlete Life Development.
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The People In Your Neighbourhood: Peter Neill

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In late 2009 my then fiancé and I decided we'd get married in Ireland. The problem is, once you start mentioning to Irish suppliers, dress makers, photographers (etc) that you'd be procuring their services for a wedding, two things happen - first, the price suddenly has an additional zero added to it, and secondly, you're bombarded with traditional conceptions of what an Irish wedding is supposed to be.

I spent months wading through website after website of Irish wedding photographers (astonished at how many didn't even have websites, just phone book listings). All of them the same. All. Of. Them. The same posed photos, the same pic with mum and dad, with his mum and dad, with auntie so-and-so, uncle whatshisname, and so on.

Peter Neill Photographer, the People in Your Neighbourhood
My Wedding by Peter Neill
Then I came to Peter Neill. But it was not his wedding photography that struck me, in fact I can't actually remember seeing any of his wedding work. Instead it was his concert and event photography that drew me in. Having photographed concerts and events myself, I know it's not easy, but Peter had managed to master capturing key moments in amongst the constant movement and changes in lighting.

Right from the get-go I knew this guy would be able to take our alternative (in the Irish sense of the word) wedding and give us some truly memorable images as a keepsake. Turns out, I was right.

Despite the wonderful job he did, it was clear weddings weren't Peter's passion, and although grateful for the wedding work he has done he admits the stress associated with it started to take its toll. 'It was when that started to happen, I knew I had to make a change', Peter tells me, but is quick to acknowledge the learning curve wedding photography afforded him.

'Firstly, it taught me to think fast, you have to be aware of everything and then commit one hundred per cent to a decision if you are going to get the shot', says Peter. 'Secondly, it taught me to be more creative. I know it almost sounds counter intuitive, but because I was doing so many weddings, in an effort to keep interested I was looking at more and more alternative ways to capture a moment. That's why I enjoyed your wedding so much,' awww, shucks, ' you live and breathe creativity and it set me free in your wedding, so to speak'.

Doing wedding work also showed Peter that it just wasn't the place for him, long term. 'I learned that I was not going to be able to stay creative if I stayed in weddings, at least not to the extent that I wanted to be. Simply put, weddings were killing my love for the medium'. I can understand why. '[That said], I do think if I had stayed in wedding photography there was enough of a market for my style, but a move abroad would probably have helped'. And move he did, to London, but not for weddings, rather to follow the dream of concert photography.

Peter Neill Photographer, the People in Your Neighbourhood
Imelda May by Peter Neill
When I first met Peter, he was not a full time photographer, working a day job in IT. It was the global economic crisis, which hit Ireland particularly hard, that made Peter take the plunge into photography. 'I had to make a decision about whether I would be doing something sensible or work in an area that I was passionate about. I was passionate about photography, so I made the same leap many people do, and I decided to go into wedding photography'. To make it work, Peter had the benefit of his IT background to guide him, 'I had to use every aspect of my previous experience, such as web development, online marketing, loss leader promotions etc'.

'Now that I work in concert photography, that journey is [still] not over, though I do feel it's reaching the point that it will [soon] be my only income. For anyone considering a leap like this I recommend it, but boy it's tough'. Peter is realistic, and tells me that from making the jump, building his business and maintaining interest in his work is a round the clock effort. 'These days I think the biggest factor is social media, you have to be damn good at it to stand a chance right now'. 

Peter Neill Photographer, the People in Your Neighbourhood
Coldplay by Peter Neill
Pursuing his love of photography has not been without risk, with Peter, his wife and daughter making the tough decision to move away from their home, family and friends in Ireland and take a chance on London. 'We took a gamble, to see if I could go further in concert photography. I was hitting a ceiling in Ireland and I knew that I had to move to London if I was going to be noticed by the decision makers. Up until that point I had been doing mostly free photo work for promoters in return for portfolio and although I started to get noticed by some bigger bands, the creative directors, producers, labels etc had their offices in London'. The difference since arriving in London has been huge, 'one difference is their outlook, there is an understanding that good work is worth its pay. Sadly this was missing in Ireland and at the highest levels this attitude creates a problem'. Unfortunately, Ireland is not the only place where getting paid is a struggle for photographers and other creative professionals.

Placing a bet on London appears to be paying off for Peter, who is now considered a 'local' by the labels, has been busily establishing relationships with the creative decision makers and taking up new opportunities, 'due to these [efforts] I have added Ennio Morricone, Gary Barlow, The Script and Justin Timberlake to my list of regular clients', and in recent weeks Peter could be found photographing Depeche Mode. Jealous, much?

Peter Neill Photographer, the People in Your Neighbourhood
Bono by Peter Neill
When I asked Peter about how he first came to concert photography he graciously acknowledges the help he has had along the way, 'my big break came due to one man, Steve Averill. I had gone after an IT contract in the office where he worked just so I could meet him'. For those not in the know, Averill named U2 and has had a lot to do with their design work, including most of their album covers. 'Shortly after meeting him, before I ever shot a gig, I showed him a few pics I had taken by sneaking a camera into events, and begged him to help me get a chance to shoot U2. He made a few calls and soon after that I had my first gig, shooting U2 in Sheffield! So, I owe my career to both Steve and U2 and I'm very grateful to both'.

'I discovered that the medium of concert photography has only one brief: shoot your heart out', which suits Peter down to the ground. 'This was made all the more real for me recently when talking to Justin Timberlake's creative director. I asked him what he wanted from me and he said: I just want you to go nuts, do what you love, have fun and do what you always do, that's what I want'.

Peter Neill Photographer, the People in Your Neighbourhood
The Script by Peter Neill
No pressure, huh? 'The only times when I've felt pressure is when I've created it myself', something I'm sure many photographers and creatives will find familiar, as often we can be our own worst enemies. 'At this level the artists seem to understand that they need to let you do what you do and not try to dictate. They also value you as an artist in your own right'. What about the challenge of working with the unpredictability of concerts - the light, the movement, everything that's going on around you - thankfully, Peter says, you're not expected to produce volume, just quality, 'so if I can give them a great bunch of shots they love, they're thrilled'.

There are already some pretty big names on Peter's clientele list, but does he ever get starstruck? 'My most starstruck was probably meeting Jessical Biel when I met with Justin Timberlake the first time. Simply because I didn't know he was married and I didn't expect to meet her. However, I'm very used to keeping my composure at this point and can contain the inner scream!' And this, fellow readers is Peter in a nutshell, he's talking to international pop sensation Justin Timberlake and is internally screaming at meeting his lovely wife, Jessica Biel.

Peter Neill Photographer, the People in Your Neighbourhood
Gary Barlow by Peter Neill
Any other special moments on the journey so far? 'There have been so many, but the funniest has to be one that occurred last October in New York. I was working for The Script at a gig in Radio City and had an AAA pass, meaning I could go anywhere. About half way through the gig I went up one of the side walkways, which is like a path up the side walls of the venue. This security guard who had not been briefed on who I was legged it up after me to drag me down. That's not so bad in itself, except that some dumbass decided to point a spotlight at me so the whole crowd could see. Mortified!' I can just imagine Peter as an old man telling that one to the grandkids!

I like to think that we (my husband and I, and our wedding) had some hand in the beginning of something big, but let's face it, Peter is two things: one of the nicest blokes you'll meet and a very talented photographer, so he probably would have made it on his own anyway.

You too can check out his work and join the Peter Neill appreciation club via his website, on Facebook, Twitter and YouTube.

-Stevie O'C

Duran Duran by Peter Neill

Alice Cooper by Peter Neill

Slash by Peter Neill

The Script by Peter Neill

Peter Neill Photographer, the People in Your Neighbourhood
The Script by Peter Neill



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The People In Your Neighbourhood: Maria Yebra

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I’ve been inspired by a song I heard many, many years ago. It’s a song that I hope they still sing on Sesame Street. The song is called The People in your Neighbourhood. You might remember it too. So often we take for granted, or don’t even notice, the people around us. Each one has a story, a lifetime of experiences, and a few special talents from which we can all learn. This is the first of what I hope will be a monthly feature on interesting people from the neighbourhood.  

Maria Yebra: Light Painter, Cupcake Decorator, Steampunk Enthusiast, Teacher


Maria Yebra Photography Light Painting Laneway Learning Partners in Light
Maria Yebra - Partners in Light

When I first met Maria she and her partner Steve were teaching a class as part of Melbourne’s Laneway Learning. Maria’s class was on light painting, which is the use of various illuminated objects to ‘paint’ onto darkness, captured on film. Under her watchful tutorage she helped me come up with this image.

stevielovesphotograhy light painting melbourne

Having long held a passion for photography, Maria got into light painting through a friend, who participates in urban exploration. Urban exploration is to 'explore' abandoned buildings and drains, as well as other not entirely legal to enter places. ‘I admire the decay of these buildings’, says Maria, ‘[my friend] took me to an abandoned glue factory and showed me how to light paint, and I was like “I need to do this!”’.

The abandoned urban locations supply plenty of stimulating backgrounds to compliment the light painting. ‘When you have a background that is amazing, like the women’s asylum, you can really feel the energy of the location’. But Maria notes that if you’re working with background it’s important to be minimalistic with the actual light painting, using the light to emphasise rather than take away from the location, or overwhelm the background.

Maria Yebra Photography Light Painting Laneway Learning Partners in Light
Maria Yebra - Partners in Light

Four years after first discovering light painting Maria and her partner Steve have cultivated their passion into a small business. ‘It started as a hobby, just a fun thing to do, but then Laneway Learning came along and wanted me to do a class, and then to repeat a class, so I thought maybe we could sell some prints too!’ The business is focused on workshops, which Partners in Light runs after dark on a monthly basis in and around Melbourne CBD.

‘The tours we do are for beginners, around the city, near the river, to the laneways where we paint with the graffiti. I couldn’t take the beginners to some of the more abandoned places, they’d probably freak out’. Fair enough too, as Maria admits she’s had some interesting run-ins while urban exploring. ‘The first time we went draining the police got us out. There was a homeless person screaming. We were there with all out lights and the police arrive. The good thing is we don’t do graffiti or damage anything. We were mid-air with plastic light swords. It was a bit of a situation’. 

Maria Yebra Photography Light Painting Laneway Learning Partners in Light
Maria Yebra - Partners in Light

Laneway Learning also features heavily in Maria’s agenda, having recently taken on a more active role in the running of the initiative. ‘The first class I taught was about steampunk, and they asked what else I could do. I could teach Spanish, I could teach cupcake making…so they booked everything! I was such a regular I’d be there all night teaching different things’. This is all in addition to her day job as a freelance marketer. ‘I was lucky they asked me to join them. I was basically living there anyway, so why not? It’s a lot of work, but totally worth it’.

The Laneway Learning concept is ‘a ragtag series of evening classes’ that have been running in a number of partner cafes since March 2012. Covering anything from feminism to flower arranging, zombie films, art history, through to the sciences and basic feminist theory, Laneway Learning is an opportunity to learn something new, on the cheap (most classes are around $12), and in a highly sociable way.

Maria Yebra Photography Light Painting Laneway Learning Partners in Light
Maria Yebra - Partners in Light

Maria and the team have recently taken the Laneway Learning project interstate and are considering opportunities for the future. ‘We’re now open in Sydney [but] the aim is world domination!’

It’s this dedication that keeps the team going and keeps people turning up. The popularity of the classes has grown exponentially since initial humble beginnings. ‘It’s a passion for learning and doing something different. We have a group of regulars already, but then for every class around half are new students who only found out about Laneway Learning, because of the particular theme of the class.’

‘I think [the popularity is partly] because of Melbourne’, Maria muses, ‘I’ve lived in a number place around the world and Melbourne has a very specific style’. I can't help but agree with her, Melbourne is the perfect place to devlop a model like Laneway Learning, but it's an initiative I'd have love to have seen when I lived in Sydney. And while it's early days, Sydney appears to be embracing Laneway Learning.

It will take some adaptation, as Maria found when she taught light painting there recently. ‘The first time in Sydney, we didn’t calculate how many street lights were around the venue’, she notes. ‘They don’t have dark corners and alleys like Melbourne!’

Maria tells me that hair braiding is one class that always books out. ‘It’s so popular, but it’s the most useful class ever. I suck at my hair and I thought it was super hard, but [the teacher] does it, and you get to do it on someone else, and then someone else does it on you. It’s both of those things that really helps you grasp it’. And it’s easier than it looks, ‘people are like, wow, that must have taken forever – it takes minutes!’

Maria Yebra Photography Light Painting Laneway Learning Partners in Light
Maria Yebra - Partners in Light

As for what’s next for Maria, in between organisation and teaching classes with Laneway Learning – her next light painting class is scheduled for 29 October, and she recently taught a group to make fondant unicorns – she is running workshops with Partners in Light, holding down a day job, and if that wasn’t enough Maria and Steve are also currently working on a photographic series called Imaginary Friends. In the meantime, you can check out Maria's work here.


You can find Maria, her work and Laneway Learning via:
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