Get Your Kinky On

,

Note: This is the first of two posts in which Eliza talks about her trip to a kinky party. If it's likely to offend you (it's really not offensive - it's about her, not the sex) then I'd encourage you to watch Tom Hiddleston teaching the Cookie Monster about delayed gratification instead.

Writing this is a challenge.

Not because I am a prude, you will imminently understand why I say that, but mainly because my Mum will read this. And she is likely to ask a lot of questions. Probably, ‘when’s the next one?’ My Dad has already seen a photo of my bunny costume and asked what it was all about. Well Daddy Dearest, I went an arty-farty sex party (whoop there it is!), dressed as a lab test bunny. A costume choice I would come to realise was a rookie mistake.

The problem with writing this is that I’m not actually allowed to write about the event itself. I can’t name names or detail the ins and outs (‘scuse the pun) of what goes on there. It the sex version of Fight Club in that regard, but basically it was part fancy dress party. Part dance party, part cabaret, part let’s all live out our sexual fantasies…together. And because we can’t talk about Fight Club, the names in this story have been changed to protect the guilty.

Shortbus kinky sex party

I’d hung out with fetish folk back in the early naughties, I mean noughties, as a couple my close friends were professional dominatrices (insert whip cracking sound effect here). But this party was very different to other fetish/kink events I’d attended, mainly in that its numbers were restricted and it was significantly less pretentious. Even so, I was apprehensive and, although I regard myself as pretty comfortable with my own and anyone else’s sexuality (Tony Abbott was obviously never a theatre student like me), it had been a while since I’d been around the scene. I was now on the other side of the world and in a relatively new relationship, not knowing what to expect or, more importantly, what was expected from me.

Fortunately, I live in a house with someone who has been to these events before (we’ll here on refer to him as No.2), and who described the playroom (I’ll come back to this) as no less than ‘fucking terrifying’. Helpful.

First things first, and that’s being approved to enter, which involves submitting a photo and identifying who your buddy is (again, more on this to come). Then the day before the event you receive a you’re in email. When I got mine I was struck by all the rules. I don’t usually like rules. I don’t like being told what to do (a symptom of youngest-child-syndrome, not to be confused with bedroom domination, no no, I’m definitely…I digress), so my initial reaction was one of resistance.

The Rules


Things you can do: Dress up! Contribute where you can. Know your boundaries and state them. Play consensually and safely. Practice safe sex.  Respect the space and others. Clean up after yourself.

And the don’ts: Linger unaccompanied in the play spaces. Cruise aggressively. Get too intoxicated. Photograph. Gossip about goings on.

Shortbus kink sex party

Everyone has to have a buddy. Your buddy must be someone that you know and trust, they can be the same or opposite gender, or even a couple. You are responsible for your buddy’s behavior and they are responsible for yours. If either of you violate the rules you will both be held responsible. You must arrive together and it’s recommended that you also leave together.

If you haven’t arrived by 10pm you won’t be let in. There’s a consent workshop from 9pm, specifically aimed at first timers, like me.

Honestly, these rules seemed so straight forward, and based on common sense, that I didn’t really understand the need for them. So at a-rosé-past-a-cosmo-o’clock when I rocked up at home having stewed on this all day, I raised it with No.2, and it went something like this:

Me: What’s with all the rules? You only need rules like that if there are a lot of wankers.
No.2: *giggles*
Me: And I’m not going to that bloody consent workshop! Why do I need to go to a consent workshop?! Just don’t fucking touch me and we’ll all be fine.
No.2: *laughs* You sound like me.
Me: Yes, but you can also be a bit desperate.
No.2: It’s basically to teach you that it’s okay to say no.
Me: Oh.
No.2: Do you need a spliff?

Beyond that point I don’t remember the specifics of the discussion, but my apprehension dissipated and No.2 actually managed to make it sound like it could be fun.

‘If you want to go into the playroom you can, otherwise the party continues like any other party’, or something to that effect. He had a vested interest me going along, as he needed me as his wingman while his best mate, DJ Tyler Durden was on the decks. Retrospectively, I can’t emphasise the word needed enough, and believe the phrase couldn’t organize a root in a brothel was coined off the back of No.2, bless him.

Rule Number 1: The Costume


The theme was science, or something like that. DJ Tyler Durden and I decided we would go as lab test bunnies. Bunnies are cute and subject to scientific testing, which met the theme. More importantly, onesies are all the rage and therefore both cheap and easily available. It also meant I could get away with wearing a flesh baring outfit. Win!

Off we headed to Primarni (PrimarkSupre on steroids). According to the coat hangers they only had one size left – large. Perfect for my six foot two beau and my size 14-ish hips. The lines to the change room were long, so behind a pillar in Men’s Shoes we tried on the onesies, over our clothes mind you. DJ Tyler Durden’s seemed to fit him, while mine was a bit snug, but I figured it would loosen up once I had not much else underneath.

As we were getting ready to go, I was pleasantly surprised that without my tights and skirt my onesie was baggie, very baggie. DJ Tyler Durden’s, on the other hand, was not so. His was tight! With only his board shorts on underneath, he stretched it under his long limbs, zipped it up in front and created an attractive camel toe effect that would make Miley Cyrus blush. Fortunately, the weather had turned so we donned long coats over the top for the 30 minute journey on the over-ground train.

The venue is tucked away on a London back street. At 9.45 we joined the long line of corseted and PVC-clad kinksters and awaited the obligatory pre-entry briefing.

The tightness of DJ Tyler Durden’s suit continued to bother him, concerned that it wasn’t up for a night of partying or, more importantly, that it might be too restrictive for him to get through his hour-and-a-half set. In the comfort of my roomy onesie, as the thought came to my mind that we might not have bought the same size, it also came out of my mouth. Panic struck his face, ‘check the tag’ he demanded. I obliged, gasped and shrieked with hysterical laughter. My broad shouldered, tall and reasonably well built man was wearing and XS women’s onesie!

‘We’re changing. I’m putting my foot down on this one’. He obviously wasn’t enjoying this as much as I was. Well, at least for the rest of the night we could both say this wasn’t the costume we’d showed up in. That’d certainly have impressed the crowd.

In Part II I’ll take you behind the closed doors to discover what happens, and more importantly, what doesn’t, at a sex party.

read more

Relish: My Life in the Kitchen Reviewed

,

Lucy Knisley's foodie memoir Relish: My Life in the Kitchen landed in my lap by way of my husband who picked it up at the Melbourne Writer's Festival. He's a graphic novel aficionado but, well, they've never really done much for me. However Knisley's book may well be a meeting point for the two of us.

Lucy Knisley Relish My Life in the Kitchen A Review

The daughter of a chef and a gourmet, Relish is a series of short stories detailing Knisley's experiences growing up in a home where food was kind of a big deal.

Knisley is clearly a woman after my own heart, as essentially Relish is a book about a love of food and the journey it can take you on in life. Food discoveries, rebellion and comfort through food, the way certain kitchen smells transport you back to another time and place...This is Relish, a collection of food-related experiences, or is it experiences related to food, that are hopefully familiar to just about everyone. They certainly were to me.

At heart, I am a lover of good food although I do tend to suffer the same fate as Knisley with her occasional hankering for complete and utter junk. In this way Knisley's stories are relatable. She covers not only her fancy food loves but her dirty little food secrets too.
 
Lucy Knisley Relish My life in the Kitchen Review Comic Memoir

The record of events is not presented in traditional memoir format, neither is it your typical graphic novel. Instead the stories are told via the text, with comic strip illustrations presented to accompany and enhance the storytelling. Beautifully presented, I really enjoyed both Knisley's writing and her drawings and found them to be complimentary in rounding out the experience.

What's also fun about Relish is the inclusion of illustrated recipes at the end of each chapter, taking Knisley's  life experiences and bringing them into your own, should you so choose.

read more

A Weekender in Hobart

,

I didn’t know much about Hobart, or Tassie really, before heading there over the weekend. All I knew was I wanted to go to the Salamanca Market, having seen it featured on MasterChef some years earlier.

Friends recommended renting a car and driving to some of the wineries around Hobart, but I didn’t fancy that. I quickly became concerned that Hobart might just be too small for the time I planned on being there (four days). Thankfully, my fears were quickly put to rest as what I found in Hobart was exactly what I needed for my short, relaxing yet gourmet break. 

I took my time in Hobart, and only planned one ‘thing’ for each day. I’ve compressed them here into a weekender for those of you who only have the time for a short break to slow the cogs and recharge.

Recommendations for a charming weekend in Hobart


My first tip is to fly in the night before if you can. It might be a pain in the butt to fly after a long day at work but trust me, you'll appreciate it when you can get up on the Saturday morning at a leisurely pace, which is exactly the pace you want to start off your weekend in Hobart.


Saturday Morning – Salamanca Market


hobart weekend short break salamanca market

The Salamanca Market stretches the length of Salamanca Place and runs from 8.30am until 3.00pm every Saturday. The market features local produce, flowers, crafts and artisan goods, clothes, books, jewels and trinkets. Grab your breakfast here, as there’s locally roasted coffee and an array of fruit, baked goods and sausage sandwiches to choose from. I went with a sausage in a fresh white bun as the scent of barbecue quickly became overpowering. Oh, and coffee. Of course, the coffee!

The chatter of the stallholders and music from talented buskers adds to the charm, while Mount Wellington in the background, Salamanca Place partially lined by old sandstone warehouses, and the white peaks of the stall tents all make for a pleasant market experience.

Although there is an obvious tilt towards tourist and visitor clientele, it doesn’t take away from the genuine enthusiasm of the stallholders, all of whom are passionate about their products and about Tasmania. It really was an awakening, as I had no idea so many fabulous things come out of Tassie! There are cheeses, breads, honey, preserves, fudge, beers, wines and even whisky, all of which are to die for. You won’t go hungry in Tasmania, that’s for sure.

If you’re staying in apartment accommodation, I recommend picking up some goodies to eat later in the day. Trust me, the food is good enough to spend the evening in.


Saturday Afternoon – Mount Wellington


hobart weekend short break travel mount wellington

If you have a car, you can travel to Mount Wellington whenever you like – I reckon sunrise or sunset would be particularly spectacular. However, if you’re not driving the Hobart Shuttle Bus offers a service that can be booked in advance and leaves from the Tasmanian Travel and Information Centre in Hobart city at 1.30pm (with an additional service at 10.15am, but not on Saturdays). It's $25 return, or $15 one way if you plan on making your own  way back down.

Mount Wellington is some 1,271 metres above sea level, and on a clear day the view from the summit is breathtaking. I have to say this came as a surprise to me, as I had not expected to be completely blown away by the view. You can see Hobart, the River Derwent, Bruny Island and towards the west of Tasmania.

I was interested to see the change in the foliage as we ascended the mountain. The trees get progressively smaller and more dispersed the higher you go. There are no trees at the top, only low-lying windswept plants and smoothed rock formations. There is also likely to be snow, or remnants thereof, as it gets quite icy up there, so dress appropriately.

Sunday Morning – Jackman & McRoss


hobart weekend short break travel jackman and mcross bakery

There’s very little I love more than having a leisurely coffee and brunch on a Sunday morning. Discovering Jackman & McRoss meant I could continue this tradition while in Hobart.

Jackman & McRoss is a bakery café at Battery Point (57-59 Hampden Road), a short walk from Elizabeth Street Pier and Salamanca Place. The contents of their display cabinets is to die for. To the far left, there are breads, pastries, croissants, danishes, and brioche. To the right (but still left of the counter) is a gorgeous array of pre-made but fresh brunch foods including savoury pies and pastries, sandwiches and sweet tarts. I chose a veg and polenta concoction held together with ricotta and melted brie, yum!

Popular with visitors, Jackman & McRoss has a relaxed yet classy vibe. The food and baked goods are top notch, and the likelihood of you leaving with a takeaway bag is high. I left with brioche, a chocolate croissant and an eclair for later (not all for me).


Sunday Afternoon – MONA


hobart weekend short break travel mona museum of old and new art

The Museum of Old and New Art (MONA) is, well, something. The museum opened in its current state in 2011 and is the brainchild of professional gambler and millionaire David Walsh. MONA holds a selection from his private collection.

Entering MONA you descend a spiral staircase three levels into darkness, and arguably, madness. There' no natural light, and you’re surrounded by concrete and cliff-face. The lower level space freaked me out a little, as it’s very dark in parts and quite claustrophobic. However, it progressively gets lighter and more spacious. There are no windows on the museum levels, only at the top, where the entry, shop and café are situated.

The exhibits range from the strange to the ridiculous. Juxtaposed with ultra-modern art are ancient relics. It truly is an odd experience. Some of the works will offend, others will challenge and some will have you wondering what exactly, the heck, art is. And that, I am told, is the point.

It’s all very random. Some exhibits worked for me, while others I could take or leave. One, in particular, I had no interest in. Just before 2pm a queue appeared outside of a room separate from the main hall. Those in the line were waiting to witness the glory that is Wim Delvoye’s Cloaca Professional – a machine that poops. Yep, it poops. As someone who has issues with bodily fluids generally, I freely admit this exhibit was not for me.

The current exhibition is The Red Queen (until 21 April 2014), which I’m told has to do with a scene in Through the Looking-Glass, the Red Queen's power and futility, and asks the question of what is art? What is it's point? What does it mean? Does it, in fact, mean anything at all? Or does it mean everything? I was a little disappointed as I had anticipated some sort of Lewis Carroll link between the exhibition’s works. I could not even tell you which are part of the exhibition and which are part of the permanent collection. That said, I do think the museum as a whole achieves the purpose of questioning our motivations and perceptions of art.

Apparently we missed the wall of vaginas due to The Red Queen. Shame.

The museum is located in Berriedale, towards the north of Hobart along the River Derwent, and is accessible by MONA ferry (MR-I) or bus (MONA ROMA) from the Brook Street ferry terminal near Elizabeth Street Pier. Bikes can also be rented, and the MONA website advertises helicopter or seaplane options too.

The MONA site also features a winery, brewery, accommodation, wine bar, restaurant, function areas, a cinema and outdoor stage area. The museum is closed on Tuesdays and on Christmas Day, though during January it is open seven days. Entry to MONA is $20 for non-Tasmanians and free for locals. The transfer via ferry or mini-bus is $20 return.

Have you been to Hobart? What did you think of it? Next week, I'll share some of my newly acquired Tassie produce recommendations.



read more

Totally Rad Adventure: Space Pyrates @ SPX

,

Space Pyrates Caitlin Major and Matthew Hoddy at SPX in USA
Space Pyrates Caitlin Major and Matthew Hoddy at SPX in USA
Caitlin Major and Matt Hoddy in America at the Small Press Expo
Australian comics at SPX (Small Press Expo)

Missed Part 1 and Part 2? Click the links!

The next installment of Caitlin's Totally Rad Adventure is a couple of weeks away, because in between she and Matt take the Space Pyrates to Brisbane Supanova over the weekend of 8-10 November. Pop in and see them!
read more

Thor('s Day): The Dark World

,

Today is Thor's day. It also happens to be release day for Marvel's Thor: The Dark World. See what they did there?

Marvel's Thor 2 The Dark World with Chis Hemsworth, Tom Hiddleston and Natalie Portman

Earlier this week I watched David and Margaret pan this, the latest in the Marvel franchise and the sequel to 2011's Thor (but which takes place after the events of The Avengers). They said it's same ol' same ol'. They said there's nothing new to see here. They said it's superficial, bang, crash and pretty-boy heroes.

To be honest none of this comes as a surprise to me. In fact my thoughts as I watched these armchair critics from the comfort of my own armchair were firstly, what did you really expect? And with that in mind, do you really care that it's likely to be superficial, generic story telling and fantastical escapism? Like, really care?

I haven't seen Thor II but the likelihood of me doing so is pretty high. As you may have gathered by now, I have a completely at arm's length happily married lady crush on Tom Hiddleston, who plays the mischievous adopted god, Loki. I also reckon if Chris Hemsworth knocked on my door trying to flog me Foxtel I'd obligingly invite him in, brew him a cup of tea and hand over my credit card details.

Marvel's Thor 2 The Dark World with Chis Hemsworth, Tom Hiddleston and Natalie Portman

Without having seen the film I'd say Margaret and David would be close to spot on with their assessments. So too am I confident that this is exactly what Marvel is pitching at. Given the amount of whinging from fanboys that accompanied the release of Iron Man III for its deviating from the dogma I can well believe they've gone back to formula - world at risk, motivated hero, love story, hero challenged, world saved - for this stop gap between the last and the next Avengers films.

I personally really enjoyed Iron Man III. I thought it was, while imperfect, relatively intelligent and poignant for a superhero movie. For me it was an interesting commentary on heroism, politicking and media, with the added bonus of Robert Downey Jr. But I can't expect all Marvel films to do this. I, in actual fact, am probably not the Marvel target market. I'd argue neither are David and Margaret.

The Marvel films are a product. First and foremost. The Marvel films are not produced for art. They are a commercial enterprise, which, in many respects, is what cinema has become.

Director Alan Taylor has himself spoken out about the treatment his film was given by the studio. According to Taylor, re-shooting, rewriting and the inclusion of new scenes even after production has ended is 'the Marvel way'. In a brief interview with Collider, Taylor admits to the inclusion of additional scenes featuring Loki, which one can only imagine have been added on the back of the audience and fan reception to Hiddleston's portrayal of the character and growth in his personal capital following the success of The Avengers.

In another interview with the Huffington Post, Taylor is oddly overt about the structure of the final film, of which the first 45 minutes is exposition. According to Taylor this all came about in post, or as he put it, was 'discovered along the way'. His preference, it appears, was for earlier versions of the film, which placed more 'trust the audience'. But the 'decision was made', leaving one to wonder who is really in control.

Well, in actuality I was never really in doubt. It's made all the more obvious with the inclusion of a snippet in the middle of the credits, which is apparently a blatant marketing ploy for the soon to be released flick Guardians of the Galaxy from yet another Marvel movie universe. Directed by James Gunn (who has also directed Guardians), Taylor notes that it's a shift in tone and probably not what he would have done with the scene. Interesting. But as Taylor notes, it's Marvel's way to make things 'better'.

In any case, Marvel can pretty well count on my money at the box office on this one. I don't always want smarts from my superheroes. Sometimes I just want muscly blokes with superhuman abilities making things go boom. It's about escapism, fantasy and zoning out for a couple of hours. I'd be silly to expect more.

Thor: The Dark World is in cinemas from 31 October.


read more

Music Festival Season: DJ B-Fly's Top Five

,

Following on from last week’s Lessons from the UK, I talked to DJ B-Fly about his epic festival adventures over the British summer.

But first, who is this DJ B-Fly? With over 15 years in the game, B-fly has deejayed at festivals, clubs and parties across the UK, Europe as well touring to New York. He currently holds a residency at one of London's best known underground raves, Planet Angel and has been hand-picked by Allowance Records. Over the years B-Fly has been on the lookout for new and exciting sounds. From the early days of big beat to ghetto funk and electric swing. His dynamic and evolving style ensures fun music for good times and dancing.

DJ Bfly's UK music festivals
Photo by James Murton

Euro Bugin, Chimey, Belgium


First stop on DJ B-Fly’s 2013 festival circuit was Euro Bugin. Held in the brewery town of Chimey – you know, the Trappist beer – Euro Bugin is the largest Volkswagen festival in Europe. Yes, there's more than one and this is the biggest.

DJ Bfly's UK music festivals Euro Bugin Volkswagen festival

The two roads into town were closed during the festival to make way for a drag strip, which is bordered by an off-road track and a burn out area specially reserved for tyre shredding. By day the punters explored the fields (and fields) packed with all varieties of VWs, the prestigious ‘show and shine’ display, and pit lane where teams of engineers work on their race cars before launching them on the strip. Alternatively, there was the option to simply chill out and relax by their tents or kombis, drinking beer, and regaling impressive VW experiences. By night it was live acts and DJs.

The sound of tyres squealing and revving engines was constant; however it was muffled by the non-stop rain, day and night, on the Friday. A flooded strip put the drag racers into park, but one man’s demise is another’s delight as the rain made for perfect conditions over on the off-road track. And of course, it makes for great chilling and drinking weather.

DJ B-Fly’s highlight – deejaying to a crowd of around 1,000 from the inside of a VW campervan on stage, quite literally bounding around due to the van’s suspension, or lack thereof!


Chilled in a Field, Kent


Chilled in Field, or simply Chilled, is run by the people behind London’s longest running club night events, Planet Angel. Planet Angel aims to bring creativity, colour and fun to its events, and Chilled is no different. Set in the grounds of a manor house in the Kent countryside, Chilled is a family friendly weekend of workshops, live music and DJs.

DJ Bfly's UK music festivals Chilled in a Field, Kent

This year around 500 people – some hippies, some 90s ravers-cum-parents, and others loyal ‘Planeteers’ – made their way out of town to enjoy the relaxed daytime atmosphere, and to dance their nights away, although not too late as this is a family friendly event. The line-up featured live music from the Handsome Jack Show Band rocking through some indie rock classics, followed by DJs including three sets over five days from B-Fly himself.

Possibly not best classified as an outright music festival, Chilled in a Field is an amped up village fete meets alternative family getaway – with something for the parents and the kids. It still managed to rock the music, there’s plenty to keep you entertained and importantly, well fed.


BoomTown, Mattersley Bowl, Winchester


BoomTown takes place in a natural bowl, and is a collection of purpose built small ‘towns’ including Chinatown, Mayfair and Trenchtown around which some 30,000 Boomtownies camp. This year B-Fly strategically placed himself by the reggae field of Trenchtown. Not a bad choice, as the music was soothing and the proximity to the gate made for a quick getaway at the festival’s end.

DJ Bfly's UK music festivals Boomtown

The scale of BoomTown is massive, and a specific GPS app would have been handy! Once again there were places for the kids, arts and crafts, fantastic food, and of course, the music. Adding to the atmosphere, the towns featured backdrops reminiscent of film sets, including a breath taking Aztec inspired temple and a giant boom box. The Arcadia Spider in the middle of Down Town, with its fire and lasers looked like it had been bought second hand following U2’s 360 World Tour.

DJ Bfly's UK music festivals Boomtown

The British love a dress up, and BoomTown brings it, with punters in fancy dress from dawn till dawn. Incidentally, a dinosaur onesie comes in very handy during the chillier morning hours. The food options were also great, and it has to be said that the toilets were not nearly as bad as you’d expect from an event attended by 30,000 people. Although, this might be because a lot of people found it easier to just go in the woods.

Musically, the highlights have to be the live gypsy swing band Flap, as well as the hefty dose of drum and bass, breaks and ghetto funk from the DJs. Over at the Rave Yard, set in the grounds of a church (geddit?), hard core and hard house set the grounds vibrating, followed up by some psy-trance, which although not to B-Fly’s taste shows there’s something for everyone at BoomTown. On the whole, this festival is a definite goer according to B-Fly who reckons the event is likely to keep on growing in the future.


The Summer House Weekend, Surrey


After the blowout that was BoomTown, time for something a little more chilled says B-Fly, finding himself at yet another country house, this time in the hills of Surrey. The Summer House Weekend is run by the man behind the successful White Mischief, famed for its cabarets, elaborate fancy dress policies and that essential element of naughtiness. This event lives up to expectations.

DJ Bfly's UK music festivals the Summer House Weekend Surrey

The various daytime workshops offered interesting ways for attendees to get to know each other…really know each other, including speed meeting and talks on fairly intimate subjects. This event is like no other, and the Saturday night dress up theme – this year Once Upon a Midsummer Night’s Dream – is strict. Don’t distress, there was a fancy dress workshop ahead of time for those in need of inspiration. One highlight came a bit of a surprise – the cuddle workshop – all about the human touch, consent and ended in a big cuddle puddle (or one massive spoon-fest).

On the lawn B-Fly officially (totally unofficially) took matters into his own masterful hands after discovering tunes were coming courtesy of an iPod. No one seemed bothered by his three hour sets though, from which he subsequently scored some new gigs. Not, officially, bad.

The property featured a small lake, next to which was a sauna, and between which lots of naked attendees ran. There was also a campfire and tents for changing in and just generally chilling out. But this was a decadent event, with bedrooms in the house available for the weekend, glamping options, and lavish meals served through several sittings in the large dining room.

As the evenings fell, the music also moved inside beginning with cabaret, followed by DJs until close. Of course, there was also the Playroom for those who have found someone to ‘play’ with – let’s not discuss that, and say we did. Not quite what you’d call a festival, rather a weekend retreat for naughty people, this event managed to be a bit posh but also very free spirited. As for B-Fly, after taking over the daytime deejaying, sweating it out in the sauna and relaxing by the fire, he felt better when he left than he did upon arrival!


Shambala, Northampton


And so to the final festival of the season; Shambala is a family friendly festival with a lot going on to keep the 8,000 or so attendees entertained including a cinema, theatre, dance workshops, arts and crafts, two large stages for music and a tent, which by day hosted ping pong and roller disco while by night became the main dance hall. Also dotted around the site were a number of smaller areas perfect for stumbling upon.

DJ Bfly's UK music festivals Shambala

Shambala was by far the friendliest festival of the season, which doesn’t come as a surprise given it had its own healing field with yoga classes and massage, intended to keep everyone calm, relaxed and at ease. Add to this quality live acts, including in hidden locations dotted around the site, making for an amazing experience to end the season on. The main stage played host to some pretty big names in world music; however some were unfortunately missed as it was just too easy to lose track of time – and the schedule – when chatting to punters in the comfy seating scattered about.

While generally conveying a hippy vibe, the highlight of the event for B-Fly was the Police Rave Unit, or PRU. The PRU consisted of a police transit van (presumably ex-police) with the roof removed, a DJ booth built into it and a simple but effective sound system. The PRU travelled around the site as people followed. Dressed in police uniforms the PRU crew took great delight in stopping by the craft workshops or people chilling by the lake to demand the constituents ‘rave hard’. B-Fly was singled out for bad behaviour and instructed to ‘glug that cocktail’. One can only oblige. The yogis in the Healing Field were too much for the PRU to resist, however that was only until an announcement over the PA asking them – the PRU, not the yogis – to kindly ‘push on’.

Shambala had something stimulating for all. While not the mega rave of BoomTown, if you looked carefully there were smaller parties to be found after hours. Although popular, according to B-Fly, Shambala doesn’t seem to be growing. It remains one of the larger festivals, but manages to retain a sense of something more intimate. A perfect all-rounder on which to end the season.

B-Fly's Top Tips for Festival Goers

       
    1. *Arrive early to get a good spot.
    2. *Plan well in advance when using public transport. Some festivals can be out of the way and hard to get to, so you'll be competing with fellow festival goers for local services.
    3. *Pace yourself, it's a marathon not a sprint. Make sure you eat, sleep and keep hydrated!
    4. *For the budget conscious, take sealed packs of food. For a touch of luxury take a coffee percolator (and coffee). This will also make you very popular on the mornings after.
    5. *While it's good to see the acts you like, a festival is the perfect place to discover new music. You're almost guaranteed to come across a band or DJ you've never heard of but will think is brilliant.
    6. *Be sociable. Talk to people and take advantage of the festival vibe.
    7. *Arrange meeting places with your friends in case someone gets lost, but if possible stay together and look after each other. Otherwise, finding your mates amongst a crowd of 30,000 is just not going to happen.
    8. *Don't take anything you can't afford to lose (you really won't be needing the iPod!). And be prepared to lose something, it's a music festival, it's gonna happen.
       -Eliza Rose Harper
      read more

      The People In Your Neighbourhood: Maria Yebra

      ,

      I’ve been inspired by a song I heard many, many years ago. It’s a song that I hope they still sing on Sesame Street. The song is called The People in your Neighbourhood. You might remember it too. So often we take for granted, or don’t even notice, the people around us. Each one has a story, a lifetime of experiences, and a few special talents from which we can all learn. This is the first of what I hope will be a monthly feature on interesting people from the neighbourhood.  

      Maria Yebra: Light Painter, Cupcake Decorator, Steampunk Enthusiast, Teacher


      Maria Yebra Photography Light Painting Laneway Learning Partners in Light
      Maria Yebra - Partners in Light

      When I first met Maria she and her partner Steve were teaching a class as part of Melbourne’s Laneway Learning. Maria’s class was on light painting, which is the use of various illuminated objects to ‘paint’ onto darkness, captured on film. Under her watchful tutorage she helped me come up with this image.

      stevielovesphotograhy light painting melbourne

      Having long held a passion for photography, Maria got into light painting through a friend, who participates in urban exploration. Urban exploration is to 'explore' abandoned buildings and drains, as well as other not entirely legal to enter places. ‘I admire the decay of these buildings’, says Maria, ‘[my friend] took me to an abandoned glue factory and showed me how to light paint, and I was like “I need to do this!”’.

      The abandoned urban locations supply plenty of stimulating backgrounds to compliment the light painting. ‘When you have a background that is amazing, like the women’s asylum, you can really feel the energy of the location’. But Maria notes that if you’re working with background it’s important to be minimalistic with the actual light painting, using the light to emphasise rather than take away from the location, or overwhelm the background.

      Maria Yebra Photography Light Painting Laneway Learning Partners in Light
      Maria Yebra - Partners in Light

      Four years after first discovering light painting Maria and her partner Steve have cultivated their passion into a small business. ‘It started as a hobby, just a fun thing to do, but then Laneway Learning came along and wanted me to do a class, and then to repeat a class, so I thought maybe we could sell some prints too!’ The business is focused on workshops, which Partners in Light runs after dark on a monthly basis in and around Melbourne CBD.

      ‘The tours we do are for beginners, around the city, near the river, to the laneways where we paint with the graffiti. I couldn’t take the beginners to some of the more abandoned places, they’d probably freak out’. Fair enough too, as Maria admits she’s had some interesting run-ins while urban exploring. ‘The first time we went draining the police got us out. There was a homeless person screaming. We were there with all out lights and the police arrive. The good thing is we don’t do graffiti or damage anything. We were mid-air with plastic light swords. It was a bit of a situation’. 

      Maria Yebra Photography Light Painting Laneway Learning Partners in Light
      Maria Yebra - Partners in Light

      Laneway Learning also features heavily in Maria’s agenda, having recently taken on a more active role in the running of the initiative. ‘The first class I taught was about steampunk, and they asked what else I could do. I could teach Spanish, I could teach cupcake making…so they booked everything! I was such a regular I’d be there all night teaching different things’. This is all in addition to her day job as a freelance marketer. ‘I was lucky they asked me to join them. I was basically living there anyway, so why not? It’s a lot of work, but totally worth it’.

      The Laneway Learning concept is ‘a ragtag series of evening classes’ that have been running in a number of partner cafes since March 2012. Covering anything from feminism to flower arranging, zombie films, art history, through to the sciences and basic feminist theory, Laneway Learning is an opportunity to learn something new, on the cheap (most classes are around $12), and in a highly sociable way.

      Maria Yebra Photography Light Painting Laneway Learning Partners in Light
      Maria Yebra - Partners in Light

      Maria and the team have recently taken the Laneway Learning project interstate and are considering opportunities for the future. ‘We’re now open in Sydney [but] the aim is world domination!’

      It’s this dedication that keeps the team going and keeps people turning up. The popularity of the classes has grown exponentially since initial humble beginnings. ‘It’s a passion for learning and doing something different. We have a group of regulars already, but then for every class around half are new students who only found out about Laneway Learning, because of the particular theme of the class.’

      ‘I think [the popularity is partly] because of Melbourne’, Maria muses, ‘I’ve lived in a number place around the world and Melbourne has a very specific style’. I can't help but agree with her, Melbourne is the perfect place to devlop a model like Laneway Learning, but it's an initiative I'd have love to have seen when I lived in Sydney. And while it's early days, Sydney appears to be embracing Laneway Learning.

      It will take some adaptation, as Maria found when she taught light painting there recently. ‘The first time in Sydney, we didn’t calculate how many street lights were around the venue’, she notes. ‘They don’t have dark corners and alleys like Melbourne!’

      Maria tells me that hair braiding is one class that always books out. ‘It’s so popular, but it’s the most useful class ever. I suck at my hair and I thought it was super hard, but [the teacher] does it, and you get to do it on someone else, and then someone else does it on you. It’s both of those things that really helps you grasp it’. And it’s easier than it looks, ‘people are like, wow, that must have taken forever – it takes minutes!’

      Maria Yebra Photography Light Painting Laneway Learning Partners in Light
      Maria Yebra - Partners in Light

      As for what’s next for Maria, in between organisation and teaching classes with Laneway Learning – her next light painting class is scheduled for 29 October, and she recently taught a group to make fondant unicorns – she is running workshops with Partners in Light, holding down a day job, and if that wasn’t enough Maria and Steve are also currently working on a photographic series called Imaginary Friends. In the meantime, you can check out Maria's work here.


      You can find Maria, her work and Laneway Learning via:
      read more

      How to Make a Fascinator for Spring Racing

      ,

      I have to admit, I'm not a huge fan of horse racing. Living in Melbourne, though, you really can't help but get a little swept up in the excitement that is Spring Racing. While the races might not be for me, I do enjoy the fashion - and we all know that the fashion is as important, if not more so, than the actually running of the horses.

      In particular, I enjoy the amazing headwear on display. I'm blown away at the loops and twirls of sinamay, crinoline (do I sound like I know what I'm talking about?) and feathers - oh the feathers! The Carnival rewards these talents through the exclusive Millinery Award as part of the Fashions on the Field, for which competitors are specially invited to showcase their wears.

      Tuesday week is Melbourne Cup Day (5 November), which, for the uninitiated, is the race of the Spring Racing Carnival. So significant is the race that Victorians are given the day off to attend either the race itself or one of the myriad of related events around the state.

      In order to prepare for Cup Day I've put together a brief how to for those of you wanting to look a little bit fancy for an office afternoon tea, those feeling a little creative, or those too cheap to buy a designer fascinator. These instructions are pretty basic, but adaptable, and effective.

      The lovely Pip modelling a fascinator headband.

      How to Make a Fascinator / Headband


      DIY facinator headband - make your own

      You will need:
      • Two felt panels (one cut slightly smaller than the other).
      • A fabric or ribbon covered plastic headband.
      • A sparkly trinket (such as a button).
      • Craft feathers.
      • Glue gun.

      The following steps correspond to the numbers in the image below.

      Step 1: Using the larger teardrop as a template, lay out the feathers in the desired arrangement. You'll probably need a few layers of feathers - two to four - to get the right distribution and ensure the felt backing is not visible.

      Step 2: When you're happy with the arrangement, flip the feathers over and begin affixing them to the large felt panel with the glue gun. You may have to press the feathers in place for a few moments while the glue dries, so watch your fingers as the glue will be hot.

      Step 3: Continue with the next layer of feathers, waiting for each layer to dry sufficiently before adding the next. You don't want the front layers to stick to the glue you've used for the back layers.

      Step 4: Once all of the feathers have been glued onto the felt panel give it a moment to dry. Check that you're happy with the way the feathers are sitting. You might need to trim them slightly to get the right shape, but try to minimise this if possible as cut feathers can look scrappy.

      Step 5: Get your headband ready - before you glue the panel on, check how far along the headband you want it to sit. Turn the feathered felt panel over and glue a line down the middle, from the tip to where it bottoms out. Press the panel onto the headband in the desired position. You will need to hold this for a few moments until the glue dries to ensure it sits on the curve.

      Step 6: Take the smaller felt panel and glue a line down the middle, around the edges and zigzagging in between.

      Step 7: Quickly position the panel onto the underside of the feathered panel and the headband, pressing it in place until the glue has dried. Be careful with this bit as it can be a little tricky. Unfortunately with hot glue, you usually only have one chance at these things, so be ready.

      Step 8: The final step is to attach the sparkly trinket (or button, or whatever you have available) to the point where the bottom of the feathers meet the headband. Make sure you affix the trinket to both the feathered panel and the headband, as this will help with anchoring the panel in place. This might take quite a bit of glue, but be careful not to use too much, as you don't want it to leak out and be visible. You will definitely need to hold this in place for a good couple of minutes until the glue has dried.

      And, you're done! The final step is, of course, to look fabulous.

      How to make a fascinator headband for Melbourne Cup Day. DIY crafty.

      As you can see, this really is a very quick, simple and effective way to compliment or even liven up your race day outfit. Using these basic instructions you can use a number of different materials in place of feathers - flowers, bows, even a pack of cards (well, maybe not a whole pack). You can also adapt it to use combs or clips in place of the headband. Let your creative juices flow and impress your friends on Cup Day!

      Sample headbands. How to make a fascinator headband for spring racing.

      -Stevie O'C
      read more